The second movie I worked on while at Cinesite in Montreal, was Steve McQueen’s Blitz, set in London in WW2. The trailer came out yesterday and features my two shots of a Luftwaffe bomber plane flying into a building. I am looking forward to seeing the full film this November.
This is the second time I was involved in WW2 aircraft animation. First time was for Midway (2019).
”Oh, shi*!!!! ....I worked on this!!!!”. I exclaimed the other night, when I recognized our sequence in 3 Body Problem.
While still at Pixomondo (Frankfurt), this is one of the last projects I worked on from July to October 2022—it just came out a few weeks ago on Netflix. Because of the production codename, I had no clue at the time what exactly I was working on.
Here's the trailer:
Worked on this at Cinesite when we were living in Montreal. We did a of of hard body animation like vehicles, boats, etc. and digi doubles.
It premieres on March 21 on Prime Video.
Here is the trailer:
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In 2023 our VFX team at Pixomondo Germany won a BAFTA award for our work on House Of The Dragon Season 1
I animated Vhagar, the largest and oldest dragon in the story. Above: a still of one of my shots - Vhagar burning her rider alive.
Into the light with Cité Mémoire, documentary inspired by the night walk of multimedia projections in the heart of historic Old Montreal (by Michel Lemieux and Victor Pilon).
Joe Beef's funeral procession (Montreal, 2023) from Luis Estenssoro on Vimeo.
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The Colour Purple movie-musical premieres on Christmas Day, which I worked on some time back at Pixomondo. I animated the moth flitting and flying around young Nettie and Celie as they sit on a tree branch (featured in this trailer at around minute 0:38).
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This “How to Claim you Dragon” video focuses on the sequence we worked on: when young Aemond rides Vhagar for the first time.
It explains how the real cameras had to match our 3D cameras, which allowed us animators to place the footage (in this case the actor) in the correct spot in order to animate Vhagar. This sequence also includes full CG shots. This means that the entire shot was computer generated including the actor—typically wide angle shots, where you could see more of Vhagar's body mass.
Two of my shots. What a ride!!!!
The second character of the Beserker troop I started many years ago.
The group so far:
A huge thrill to have worked on Ridley Scott’s first-ever television
production—of which he also directed a couple of episodes.
This sci-fi series has real promise as the new trailer shows.
Our animation team worked on a range of challenging creature and android
shots, including physical interactions between creatures and actors (I
can’t reveal more). These types of shots are tricky and difficult to
pull off, but judging by the trailer it was worth the pain.
Raised By Wolves starts September 3 on the new streaming service HBO MAX.
Check out the trailer:
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