Páginas
Tuesday, 27 October 2026
The Pianist
Thursday, 15 October 2026
Henson & Sons
Sharing another sculpture:
I used super sculpey (as always) for Jim Henson and plasticine for Kermit, Rowlf and Ernie.
Thursday, 1 October 2026
Thursday, 27 August 2026
Wednesday, 19 August 2026
Tuesday, 11 August 2026
Thursday, 25 June 2026
Giants
- "¿Qué gigantes?"
- "Aquellos que allí ves, de los brazos largos; que los suelen tener algunos de casi dos leguas."
(Pencil on paper; colored in Photoshop)
Tuesday, 16 June 2026
Thursday, 4 June 2026
Wednesday, 27 May 2026
Thursday, 21 May 2026
Thursday, 14 May 2026
Back to sculpting
Friday, 8 May 2026
Tiny contribution
Shortly before I left for Montreal, our
animation team at Pixomondo Frankfurt started working on a sequence for Ant-Man
and the Wasp - Quantumania. I didn’t think more of my contribution until the
other day when I watched the movie for the first time. To my pleasant surprise, I saw my name in the
credits.
The sequence we worked on:
Everything from concept art, environment, animation, lighting to the final render. Our animation team was in charge of animating everything that crawled, floated or creeped around.
A lot of animation cycles were created.
Tuesday, 5 May 2026
Thursday, 24 April 2025
VFX Breakdown (PXO - House Of The Dragon, Season I)
Pixomondo, the VFX studio I worked for in Frankfurt, has finally released the VFX breakdown for our work on House Of The Dragon, Season I.
Wednesday, 2 April 2025
Friday, 20 September 2024
aircraft
The second movie I worked on while at Cinesite in Montreal, was Steve McQueen’s Blitz, set in London in WW2. The trailer came out yesterday and features my two shots of a Luftwaffe bomber plane flying into a building. I am looking forward to seeing the full film this November.
This is the second time I was involved in WW2 aircraft animation. First time was for Midway (2019).
Saturday, 20 April 2024
Straight shooter
”Oh, shi*!!!! ....I worked on this!!!!”. I exclaimed the other night, when I recognized our sequence in 3 Body Problem.
While still at Pixomondo (Frankfurt), this is one of the last projects I worked on from July to October 2022—it just came out a few weeks ago on Netflix. Because of the production codename, I had no clue at the time what exactly I was working on.
Here's the trailer:














































